Andrew Hallam recently profiled Carmen Amato's author journey in an article about book publishing...
Everybody has heard of Don Quixote. The image of the fictional tilter-at-windmills is everywhere in Mexico, which has long adopted Spanish literature and legends as its own. But when I went looking for the literary hero for my fictional Mexican hero in THE HIDDEN LIGHT OF MEXICO CITY, I needed someone more, ahem, successful than Don Quixote.
El Cid was a character I’d seen mentioned by Mexican authors. With little more context than the Charleton Heston movie, I assumed he was a fictional creation like Don Quixote.
But I was wrong. It only took a little digging to find El Cantar de Mio Cid, or The Poem of the Cid, the only surviving epic poem from medieval Spain. The poem, similar in form to The Song of Roland, recounts the adventures of the real Spanish warlord and nobleman Rodrigo Diaz de Vivar. He was called El Cid Campeador, a title that reflected the esteem in which he was held by both the Moors and the Spanish. “El cid” was derived from the Moorish al-sidi, meaning sir or lord, while “campeador” means champion in Spanish.
El Cantar de Mio Cid is a dramatic retelling of daring deeds with a heroic figure, facing down enemies with courage and his sword. A continued refrain in the poem is that El Cid, with zest for the fight, was born in a fortunate time.
El Cid had already made a name for himself fighting the Moors for King Ferdinand when the king died. The lands Ferdinand had ruled were divided among his five children. They immediately started fighting each other. Sancho, the son who’d inherited Castile, named El Cid commander of his armies. When Sancho was assassinated, his brother King Alfonso was the chief suspect. El Cid made Alfonso publicly proclaim his innocence. Angered, Alfonso forced El Cid into exile alone, in effect holding his daughters and beloved wife Jimena hostage.
On his warhorse Babieca and brandishing his sword Tizona, El Cid became a mercenary, mainly fighting the Moors but not being too fussy in his choice of employer. Eventually he managed to squeeze Alfonso into relenting on the exile and was reunited with his family. Aligned once again with Alfonso, El Cid conquered Valencia where he and Jimena ruled in Alfonso’s name until El Cid died in 1099. His daughters became queens of Aragon and Navarre. His sword is preserved in Spain’s Museum of the Army.
El Cantar de Mio Cid is as much about leadership as anything else. Surprising for his time, El Cid often “took counsel,” asked his men for input, and actually listened to their advice. As a result, his men were fiercely loyal to him; 115 knights spurned King Alfonso, went into exile with El Cid, and fought by his side as mercenaries.
This was the perfect role model I’d been looking for as my fiction hero, Eduardo Cortez Castillo, leads a brotherhood of cops sworn to be incorruptible. In THE HIDDEN LIGHT OF MEXICO CITY, “Los Hierros,” the Iron Ones, will take on not just police corruption but a scheme to allow Mexico’s most notorious drug cartel to buy political power through the Mexican presidential elections.
El Cid’s relationship with his beloved wife Jimena gave the role model an extra dimension. Like El Cid, Eduardo falls in love, although with a woman who by the unspoken laws of Mexico’s rigid class structure, cannot stand by his side. Yet Eduardo tells Luz de Maria about his role model and references to El Cid become a secret code between the two lovers.
I hope you check out THE HIDDEN LIGHT OF MEXICO CITY and find the clues to El Cid.
But most of all, may you, like El Cid, live in a fortunate time.
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