Publishing Insiders Dispute the Future of Bookstores

Publishing Insiders Dispute the Future of Bookstores

publishing insiders

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CARMEN AMATO

Mystery and thriller author. Retired Central Intelligence Agency intel officer. Dog mom to Hazel and Dutch. Recovering Italian handbag addict.

 

Can publishing insiders predict the future of bookstores? What will stores look like in 10 years as they face competition from ebooks and ecommerce?

Over the past 6 months I’ve asked more than 800 people this question, including fellow authors, as well as book bloggers, marketers, and store owners. I’ve also followed the online debate fostered by many who have a large stake in the issue, notably those in the traditional publishing industry. 

The result of my curiosity has been a series of articles. The first article, with 25 author comments, including those from thriller author Dale Brown and Guy Kawasaki, author of ENCHANTMENT, was a real eye-opener and my most widely shared blog post (I’ve stopped counting).  Book bloggers presented more enlightening views, while the series has also explored book retailing innovation and potential partnerships.

This article, with widely divergent views from publishing insiders, raises the most questions out of all of the articles in the series so far. Many bash Amazon.com, without acknowledging that traditional publishing may be a “declining value proposition,” as economist Adam Gomolin ably put it.  Others believe that the indie bookstore, with a couple of baristas and roots in the community, offers the best hope for continued bricks-and-mortar stores even while acknowledging that owners must become more savvy retailers. The age of owning a successful bookstore just because you love books is over.

Questions I thought would be hot topics for the publishing industry really weren’t in evidence: 1. How to change book distribution to improve cost structures for bookstores, and 2. How to get the growing number of independently published titles into physical bookstores?  

Maybe the lack of big discussion is answer enough.

Note: comments listed in alphabetical order by commentator last name

Carolyn Burns Bass

founder and moderator of LitChat, a website devoted to reading and writing and #litchat Twitter discussions, email to author, 3 December 2013

www.carolynburnsbass.com and http://litchat.com

The writing is on the wall and the wall is electronic. As much as we love the smell of books, the turning of pages and beautifully designed typography, ebooks are the literary delivery devices of the future. Despite the convenience of ebooks, there remains, and will for a good many years, a devoted clientele for collector’s edition books and first editions. Publishers understand this and are even now responding with special designs such as wrap around covers for trade paperbacks, more deckle-edges and stunning interior designs. The bookstore of the future will feature these books, as well as kiosks such as the Expresso Book Machine for printing books on the spot. The bookstore of the future will have an agreement with publishers to get discount codes on ebooks their customers buy while logged into a bookstore’s wi-fi or from a local bookstore’s website. Successful bookstores of the future will cater to their patrons as a neighborhood deli serves its customers. They may not have every variety of salami, but they always have what their customers like best.

To survive against online book sales, bookstores can create alliances with other local businesses, such as a coffee/tea, juice or even a wine cart brought in during author visits. Bookstores of the future can be hubs of learning and culture, where people gather to buy books and talk about them. Of course, a bookstore is a logical place to host writing as well as reading groups, mini-TED-type talks, open mic readings by authors/poets, and other public discourse.

If this is not the bookstore of the future, then it’s my dream bookstore.

Carole Corm

publisher, Darya Press, 28 Jan 2014, email to author, www.daryapress.com

I don’t think I am the only person who misses their local bookshop. For the future, I am rather optimistic. I think bookshops could experience a renaissance.

Many people have remarked that the publishing industry is changing: beautiful, niche books continue to be published while the rest is delivered in the e-book format. In fact, there is already a market trend for well made books — whether cheap or high end. These volumes need a fitting space to be looked at – and bought.  In a way, the whole Internet adventure is going to help bookshop owners up their game, offering only the best books, in an improved setting and with the kind of service and perks the Internet cannot compete with.

Doris Heilmann

publisher and blogger, email to author 22 Jan 2014, http://SavvyBookWriters.com/blog, http://www.111Publishing.com

How can bookstores innovate to stay competitive? Just a couple of ideas that pop in mind : )

1. e-Book Order Feature
Since years I was wondering why bookstores did not offer their customers devices where they could order the e-book version if they liked what they found in print in the store. Or at least “bundle” print books with an e-book version. Amazon now tries to partner with bookstores (which might meet some resistance…) to offer exactly what I had envisioned.

2. Carrying Author-Published Books
Trade-published books do not automatically mean quality. There are so many wonderful books from independent authors out there – and it would be a smart move to offer them as well. Readers don’t care who publishes a book, they just want a good read.

3. Order Directly from Author-Publishers
This way, bookstores could circum-navigate the wholesalers and increase their profit quite a bit! As these connections are mostly with local authors, the bookstores could play the “local” aspect into their promotions to the communities around. Most people like to “know” the author who’s books they buy.

4. Offer Book-Layout, Cover-Image and Editing
Why not band together with professionals and offer authors these services to make sure the books’ content and layout gets a great start and is prepared for the Espresso Book Machine. Many authors would be happy to get technical help in the book production and publishing process.

5. Set up an Espresso Book Machine
Many authors (professional and hobbyists) struggle to create very small numbers of print books, e.g. for book signings, Goodreads Giveaways or as gifts. Bookstores would be the ideal place to offer this inventive book printing device. Motto: “Get your book printed while having your Java”, which brings me to the next suggestion:

6. COFFEE! Most chain stores, such as B&N or Chapters have a Starbucks in a designated area, but very few bookstores offer this pleasure. Independent bookstores need to give customers more reasons to come in!

7. More Space and PR for Author Readings
Supporting events such as readings and book signings should be a priority of bookstores – and organizing these professionally, including PR, should be a no-brainer. After all it is a promotion for the store as well.

8. Providing Space for Author Meetings
Charging a small fee (as libraries do) and renting meeting space for authors or even organize a writers conference could be profitable and at the same time a good PR for bookstores if they have the space.

Hugh Howey

author and self-publishing advocate,“Is Amazon Saving Indie Bookstores?” 18 April 2014, http://hughhowey.com

I posited this during my keynote speech at the inaugural PubSmart conference here in Charleston, SC. And nobody threw anything at me. A few people came up afterward and wondered if there might be some merit to the idea. My thinking is this: The true enemy of independent bookstores has been the large chains like Barnes & Noble, Borders, and Waldenbooks, not online shoppingThere was even a movie about this. Since the rise of Amazon, we’ve seen some of these chains shutter and many of the B&N stores close. Meanwhile, independent bookstores are experiencing near double-digit growth for three years running.

Is it possible that Amazon more directly competes with the large chains, and the independent stores are rising to reclaim their role in reading communities? I think so. Shoppers looking for discounts, or who know exactly what they need ahead of time, are using mouse clicks rather than driving to the big chain.

It’s also possible that the “shop local” movement, which is partly a response to the rise of discounters like Amazon, vastly benefits independent bookshops more than large chains. I know this works for me. I pay full retail for hardbacks at a mom-and-pop place but balk at 20% discounts from chains. Are there more shoppers like me?

Major publishers lambast Amazon, because they think the large chains are their main hope for the survival of brick and mortar bookshops. Independent bookstores (like the one I used to work in) go right along with the stone-throwing, assuming what’s bad for B&N and Borders must be bad for them as well. And yeah, I saw people scanning UPC codes and taking pics of books to buy online later. I also saw our sales numbers improve every year, partly because of our reorganization of the shop and our focus on customer service, but more because of the shuttering of WaldenBooks.

Amazon is knocking out the big predators. The indie bookshops are filling up some of that space.

Andrew Leonard

staff writer, “The independent bookstore lives! Why Amazon’s conquest will never be complete,” 4 Apr 2014, salon.com 

Stop carving that gravestone. Brick-and-mortar bookstores aren’t dead, yet. On the contrary, independently owned bookstores are growing in number. According to the American Booksellers Association, since hitting a nadir in 2009, the number of indie bookstores in the U.S. has grown 19.3 percent, from 1,651 to 1,971. The current total is less than half the 1990s peak of around 4,000.  But it still serves as a rebuke to the conventional wisdom that equates Amazon’s relentless rise with the inevitable death of the physical bookstore.

What explains this renaissance? The collapse of Borders in 2011 is one big piece of the puzzle. (Removing a dominant carnivore from the savannah gives all the other animals a little more breathing room.) The end of the recession also contributed to a more nurturing economic environment.

But there’s more to the story. There is increasing evidence that the same digital transformation that has so dramatically reshaped the publishing industry, and driven millions of consumers online, also paradoxically rewards locally rooted authenticity. Our digital tools are steering us toward brick-and-mortar stores that promise a more satisfactory consumer experience than either chain stores or online emporiums can provide.

In a world increasingly influenced by our social media interactions, it’s turning out there may well be enough room for the little guy to survive — and perhaps even thrive.

 Michael Kozlowski

founder, GoodEReader.com, “The Future of the Traditional Bookstore in a Digital World,” 9 Sept 2013, goodereader.com

. . . Book discovery is central to bookstores and they invest significant time and money into aesthetics. Barnes and Noble, Indigo and WH Smith all have it down to a science on the art of product display and maximizing space to visually draw the eye. Your average best seller shelf is filled with vibrant colors and display stands hype up other notable authors or themes.

How will the modern bookstore change when by 2015 the amount of digital books sold will reach 50%? We have seen the collapse of Borders in the US, Whitcoulls in New Zealand and RedGroup in Australia. Thousands of small bookstores all over the world have also closed due to readers shifting to digital. How will bookstores transition from exclusively selling physical books to actively promoting eBooks?

The one worry many bookstores face is being a showroom for 3rd party eBook companies. This is evident in the relationship with bookstores that belong to the American Booksellers Association and sell books from Kobo. The indie bookstore makes very little commissions on each eBook and relies on selling physical books to stay in business. Barnes and Noble is the only one in the world with quite a large ecosystem of content and makes hefty digital returns.

Indigo, Chapters, WH Smith, Foyles and many other bookstores all sell tablets and e-readers in their stores. Over the course of the last few years, reading devices have been a boon to these stores and they are seeing modest returns. Indigo recently has been launching a series of Tech Zones, which significantly increases the size of their product display area. They now sell iPad, iPad Mini and an assorted array of new e-readers and tablets. When customers buy these devices, where do they go to buy books?

The bookstore of the future must develop their own eBook infrastructure in order to preserve their own identity and maximize profits. It is critically important that major chains develop their own digital bookstore and sell eBooks directly to their shoppers. It is simply not sustainable to encourage all of your patrons to buy the digital editions from Amazon or Apple There is always more money to be made by phasing out the middleman and reaching your audience directly . . .

In the end, bookstores need to develop their own bookstore and develop a series of apps for readers to use. These need to be loaded on any tablet or e-reader that their store carries. If the hardware vendor does not want to play ball, you ditch them. Bookstores sustain themselves from selling books, magazines and hardware. They need to unshackle themselves from a strict reliance on a 3rd party and bite the bullet and develop their own digital storefront.

Cat Lavoie

author and #ChickLitChat Twitter moderator, email to author, 22 Feb 2014, http://www.catlavoie.com/

Even though I’ve switched from reading paperbacks to (almost) exclusively reading ebooks, there’s nothing that compares to the joy of browsing in a bookstore. I think bookstores need to collaborate with indie authors and publishers in order to highlight local talent. Book signings and book club meetings could also be a good way to create buzz and introduce new authors to bookstore patrons. And readers who prefer their novels in digital form could download their copy directly from the store. In the end, I think that embracing the new technology and finding a way to bring authors and readers together is how bookstores will stay relevent for, hopefully, many years to come.

Judith Rosen

“The Check Is in the Mail: Patterson Sends Over $267,000 to Booksellers,” publishersweekly.com, 19 Feb 2014

Last September 2 in an interview in the Wall Street Journal followed by an appearance two weeks later onCBS This Morning, James Patterson announced his intention to give away $1 million to independent bookstores over the course of the next 12 months . . .

A little over five months later, Patterson has made good on his promise and mailed out the first installment of the funding this week, totaling more than $267,000, to 54 bookstores across the country plus the Northern California Independent Booksellers Association in support of California Bookstore Day . . .

In a phone conversation with PW earlier this week, Patterson stressed that this is only the first round . . . A doer by nature, Patterson describes himself as “the anti-Congress. We just do stuff.” For him, that “stuff” concerns not just the future of bookstores, libraries, and publishers, but of the next generation of readers. “The future of books in America is at risk,” he said. “Bookstore traffic is down. Kids aren’t reading as many books. I want to really shine a light and draw attention to the fact that this is a tricky time. The government will protect the automobile industry and the banking industry, but not books.”

Mike Shatzkin

founder of The Shatzkin Files, “The future of bookstores is the key to understanding the future of publishing,” idealog.com, 23 Jan 2014

It has been an unspoken article of faith that bookstores would not go the way of stores selling recorded music or renting and selling video, both of which are segments that have just about entirely disappeared. The physical book has uses and virtues that a CD, a vinyl record, a DVD, or a videotape don’t, not the least of which is that a physical book is its own “player”. But it also provides a qualitatively different reading experience, whereas the other “physical” formats don’t change the consumption mode at all. Of course, that only helps bookstores if the sales stay offline. People ordering books online are overwhelmingly likely to order them from Amazon. In other words, it is dangerous to use the book’s ability to endure as a proxy for the bookstores’ ability to sustain themselves. The two are not inextricably connected.

But the fate of almost all trade publishers is inextricably connected to the fate of bookstores. There are only two exceptions. Penguin Random House is one, because they are large enough to create bookstores on their own with just their books. The other is publishers who are vertical with audiences that open up the possibility of retail outlets other than bookstores. Children’s books and crafts books are obvious possibilities for that; there aren’t a ton of others.

The feeling I had at Digital Book World is that most people in the trade have either dismissed or are wilfully ignoring the possibility that there could be such serious further erosion of the trade over the next few years that it would threaten the core practices of the industry. With more than half the sales of many kinds of books — fiction in the trade area, of course, but also lots of specialized and professional and academic topics — already online, many seem to feel whatever “adjustment” is necessary has already been made . . .

All that is possible, and I have no data to refute the notion that we’ve reached some sort new era of bookstore stability, just a stubborn feeling in my gut that over the next few years it will turn out not to be true.

Oren Teicher

CEO of the American Booksellers Association, “A Year-End Letter From ABA CEO Oren Teicher” 12 Dec 2013, bookweb.org

. . . Nationally, the network of independent bookstores has seen and is continuing to see real, sustained growth. This vitality is the result of your hard work, innovation, and a commitment to selecting and showcasing titles that we passionately believe in and that we know will find readers in our communities.

A few years ago, I characterized this revitalization in conversations with our colleagues in the publishing community and in talks as a renaissance in indie bookselling. Today, that renaissance has become resurgence. When Publishers Weekly recently announced that it had selected me and the ABA Board as its person of the year, it was a wonderful acknowledgement of the collective achievement of all independent bookstores. As PW put it, “independent bookstores are once again seen as critical to the success of the book industry.”

. . . Believe me, I know you can’t pay your bills with press clips and that there will be many, many hectic hours before you make that last sale on December 24, but I hope that you can take a moment to appreciate that the public narrative about our industry has changed in a very critical way, as more consumers recognize the importance, vitality, and health of indie bookstores.

Kate Tilton

blogger and author assistant, 12 Feb 2014, via author website form, http://katetilton.com/

How can bookstores innovate to stay competitive?: Bookstores have to compete in prices. If it is cheaper to buy a book of equal quality but for a fraction of the cost elsewhere bookstores are going to lose. As much as I love a nice bookstore the convenience of online shopping and money saved makes it very tough for bookstores to stay open. Author events are one of the only things I make the trek out to a bookstore but author events can happen in other places too (libraries, coffee shops, churches). In order for bookstores to innovate they need to find a way to win over readers once again.

 Michael Weinstein

“Reports of the Bookstore’s Death Are Greatly Exaggerated,” bookbusinessmag.com, 13 May 2013

. . . Part of me wants to suggest that we take the emotional hot button of the “nobility” of the bookstore (particularly the local independent variety) out of the discussion and just talk cold/hard facts. But I don’t think we can. I think there are enough people out there that see (and feel) the value of the experience (as Sturdivant wrote), who want and NEED bookstores to exist, to contribute enough to keep them going.

But I also think that from a business sense, publishers see the value of bookstores. They may sell more books at Amazon, but publishers are smart enough (I hope) to recognize that independent stores can help “make” a book if they like it, that author readings and signings build loyalty . . .

Also, we need to continue to expand the definition of  “bookstore.” Obviously, most bookstores won’t be  “just” bookstores. In fact, books may not be the primary function of the store, but that won’t mean that they’re not bookstores. What each store offers other than books will depend on the owners — how smart are they? How in touch are they with what their local community needs? The physical store allows a community to be built around events and activities, and that is more potent than an online community. Sure, I’m in an online community of Wheaten Terrier owners, but talking online and sharing pictures with someone from Norway is just not the same as sitting in a room with your physical neighbors . . . .

Like everything else in our industry it will require ingenuity, flexibility and the ability to adapt on the go to succeed.

Tom Weldon

UK chief executive of Penguin Random House, as quoted by Jennifer Rankin in The Observer, 5 April 2014

Some commentators say the publishing industry is in enormous trouble today. They are completely wrong, and I don’t understand that view at all . . . Book publishers have managed the digital transition better than any other media or entertainment industry. I don’t understand the cultural cringe around books . . .

It is a sad fact of life that there are fewer physical bookshops than there were. [Traditional media is declining, including books pages. As the book world moves from] “a browse-and-display model to one of online search and recommendation, publishers must adapt to capture readers attention. The challenge isn’t digital: it is how do you tell people about the next great book.

Friday Fiesta: Focus, Book Discoverability, and a Discount

Friday Fiesta: Focus, Book Discoverability, and a Discount

The Friday Fiesta is stuff worth celebrating from the past week. This week it’s how to focus on a goal, the quest for discoverability, and a book sale in defiance of the trolls. The margaritas are on me.

Focus

What with one thing and another, I’m having some trouble finishing the last big scene in the next Emilia Cruz mystery, DIABLO NIGHTS. Stuff that is less hard keeps getting in the way, like designing the new Mexico Mystery Writers Cartel blog. (more on this in a few weeks) My writing buddy has been missing his deadlines as well, so it is easy to laugh it off.

But books don’t write themselves. This coming week I need to renew my focus and “git ‘er done,” as Larry the Cable Guy says. I found this list of 8 Daily Practices for improving focus from The Culture-ist and thought others might benefit from it as well. 

Discoverability

I’m not the expert in this field, but an online chat this morning with a Facebook friend led me to comment that too many authors neglect their Author page on Amazon, missing an important opportunity. Some don’t even link all their books to their page . But the Amazon author page is like a one-stop-shop for projecting your author image. So a couple of tips in case you are an author:

Capture_amazon

 

  1. Use the same picture for your author page as you do on Twitter, Facebook, etc.
  2. Write a bio that gets up front the sort of books you write and who would enjoy them. Amazon lets you write a sizeable bio but only a certain portion shows when folks land on the page and most won’t click to see more.
  3. Make sure all your books are linked to your page. This isn’t automatic, you must add them via the Author Central interface.
  4. Link your blog, using the RSS feed address, via the Author Central interface. Ditto book trailers and related videos.

This week Amazon liked my review of IN THE WOODS by Tana French so much it shows up 3 times on my author page. Tech love.

Discount

Made in Acapulco_final_300pxI recently realized that a troll left a 1 star review for MADE IN ACAPULCO, complaining about a computer program. Obviously this has nothing to do with the book. For those who don’t know, trolls are people who surf Amazon and Goodreads, leaving damaging reviews at random. Often, the same review is given to multiple books.

In defiance of the troll activity, I’m offering MADE IN ACAPULCO for $0.99 this week. MADE IN ACAPULCO is a collection of 5 Emilia Cruz short stories. (Get the first story FREE here.)

MADE IN ACAPULCO takes place before the action in CLIFF DIVER and HAT DANCE. They reveal Emilia’s first troubled first year as the first and only female police detective in Acapulco. Many of the stories are based on true events in Mexico, including poet Javier Sicilia’s rallies to raise awareness of the missing in Mexico.

Nothing to do with some computer program.

So in defiance of trolls, MADE IN ACAPULCO is $0.99 for Kindle this week. If you pick up a copy, please leave a very non-troll review. Thank you!

In Other News

Did you see the March update for water.org? The Writing for Water team has now provided 10 people with clean water for life  because of readers like you. Goal for the year is 25.

Have you gotten your copy of The 3 Minute Guide to Great Book Reviews? It’s free when you subscribe, along with a free copy of THE BEAST, the first Emilia Cruz Story, plus The Top 10 Most Riveting International Mystery Series.

Thank you! All the best, Carmen

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CARMEN AMATO

Mystery and thriller author. Retired Central Intelligence Agency intel officer. Dog mom to Hazel and Dutch. Recovering Italian handbag addict.

 

Writing for Water: March Update and Our Global Impact

Can a couple of indie authors make a global impact?

Yes,  and we are doing it.  In March 4 authors were part of the Writing for Water team: Jerry Last, Norm Hamilton and Sharon Lee Johnson joined me in pledging a portion of our book sales to Water.org, the charity co-founded by Matt Damon to bring clean and safe water and decent sanitation to communities worldwide.  The composition of the team changes monthly. If you are an author and want to pledge a month, please let me know: carmen@carmenamato.net.

This month’s progress

In 2014 the goal is to provide 25 people with clean and safe water for life. In March we added 5 for a total of 10 so far this year.

This means dozens of micro-loans through Water.org’s Water Credit program, rolling containers to transport large amounts of water, and toilet facilities instead of open sewers.  Here is the sort of change this means:


Global Impact

Our books and our readers are having a global impact! Still small, but as the March stats show, it is growing and I truly feel that our goal of 25 people is going to happen.

Writing for Water chart

Thanks to our readers

A big salute goes out to our readers, especially to those who bought Jerry Last’s THE DEADLY DOG SHOW, the best selling title for the team in March. Those who love dog shows and/or German Shorthaired Pointers, will find its behind-the-scenes peek into dog shows and dog training fascinating. Of course, it is a detective mystery so be prepared! Jerry will be part of the Writing for Water Team in April as well. Here’s the link to all the books for the March authors.

We need your help

If you are an author and would like to help, please consider joining the Writing for Water team. In exchange for your TAX FREE donation of at least $25, we’ll leverage our social media platforms (3k on Twitter, 2k on Facebook and that’s just me) to promote the heck out of your books for the entire pledge month. When was the last time you got a month’s worth of advertising for $25?? Check out more information here.

In other news

My next newsletter will have the complete first chapter of DIABLO NIGHTS, the next Emilia Cruz mystery. If you have not yet subscribed, you can do so here, and be the first to read a chapter with a VERY twisted end. I guarantee you will not see it coming.

Subscribers also get THE BEAST, the first Emilia Cruz story, plus THE 3 Minute Guide to Great Book Reviews, and my Top 10 Most Riveting International Mystery Series.

Happy reading! All the best, Carmen

When the News Writes Mystery Novels for You

When the News Writes Mystery Novels for You

I can look at the problem in one of two ways: either the news gives me great ideas for my mystery novels or all the good stuff has already been written as fact, not fiction.

As the author of a mystery series set in Acapulco, I often run across plot ideas in the news coming out of Mexico and Central America. In fact I wrote about the news stories that inspired MADE IN ACAPULCO: The Emilia Cruz Stories in this blog post.

About every six weeks or so I find something noteworthy for the tickler file. But recently, the news has been full of stories just calling out to become Emilia Cruz mystery novels. Like the plight of missing women, which is a sub-theme of the series, these stories are rooted in serious issues affecting the lives of those caught in the crossfire of Mexico’s drug wars.

Using them in a mystery novel might be controversial but would also help to bring awareness to the toll that drug violence is having on the beauty and culture of Mexico.

The Vigilante Crisis

Violence exploded in Michoacán earlier this month as Mexican federal troops tried to disarm local vigilante groups claiming they were protecting their towns from the Knights Templar drug cartel. After days of violence, the government decided to negotiate with the vigilantes and step up its own efforts to corral the infamous Knights. On 27 January, according to InSightCrime.com, the well-organized vigilantes “signed a legalization agreement with federal and regional authorities” that “stipulates that the self-defense forces will be incorporated into Rural Defense Bodies and will work to assist municipal security forces.”

While this might seem to be a tidy ending to the violence, issues remain. Are the vigilantes linked to a cartel that is a rival of the Knights? Just how powerful are the vigilante groups—could they become the sort of paramilitary forces seen in years past in Colombia?

Could Emilia Cruz be pressed into negotiations with a fictional vigilante group in Guerrero?

Exorcise the Drug Cartels?

From the New York Daily News, comes this headline: “Exorcism rituals on the rise as way to battle evil of Mexican cartels.” With deaths from drug violence as many as 80,000 since 2006, Catholic priests in Mexico are performing exorcisms in order to rid cartel killers of the devil. The article recounts the experiences of priests who have performed the rites, saying “Exorcisms are particularly popular in outlying villages, where priests often celebrate weekly Mass to drive demons from tormented souls.”

Mexico is a strongly Catholic country and the Church is an element of the Emilia Cruz series. There is her friend Padre Ricardo—named in tribute to my murdered pastor in Mexico City Father Richard Junius– and the current WIP DIABLO NIGHTS dives into the history of the Cristero War in 1920’s Mexico.

The notion of exorcisms give me the creeps, frankly, but could undoubtedly be a riveting plot element.

Demolishing Santa Muerte Shrines

On skeletonsaint.com, Dr. Andrew Chesnutt and David Metcalfe wrote an article about how Leticia Salazar Vazquez, the mayor of Matamoros, ordered military action to demolish Santa Muerte shrines. Was it because the Catholic Church has condemned Santa Muerte worship or that the mayor belongs to the pro-Catholic conservative National Action Party, or was it to make a point against the cartels? Or maybe Salazar Vazquez opposed the shrines because she is of the Evangelical Protestant faith, one of the fastest growing political action groups in Mexico. Whatever the reason, the shrines have already been rebuilt.

The fourth Emilia Cruz novel does have a Santa Muerte theme, but maybe it’s time to create a bigger backstory for Carlota Montoya Perez, the fictional mayor of Acapulco?

And What About an all-Female Police Unit?

I’d seen similar stories about female police units, mostly in places like India where there are gender issues related to male policemen dealing with female victims and suspects. This article from the Latin American Herald Tribune  reported that “the state of Morelos has unveiled an all-female police investigative unit created to probe crimes against women. Morelos Gov. Graco Ramirez swore in and presented the 26 members of the unit, which is made up of women trained to investigate and solve crimes on the basis of forensic evidence . . .”

Yes, there is already an Emilia Cruz WIP plotline in which she is tapped to head up an all-female police unit. But it’s not just a unit to investigate crimes against women . . . 

Now over to readers. What would you like to see Emilia Cruz handle next?

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CARMEN AMATO

Mystery and thriller author. Retired Central Intelligence Agency intel officer. Dog mom to Hazel and Dutch. Recovering Italian handbag addict.

 

mystery novels

How Deep Are Your Reading Roots?

How Deep Are Your Reading Roots?

I blame my oldest sister, really. She was studious and serious and had a lot of books. She organized them tidily on bookcases in the basement where they joined books my uncle had left when he joined the Navy and headed for Vietnam. The shelves also had room for an ever-growing collection of hardbacked Readers Digest Condensed Editions and assorted odds and ends from friends and church jumble sales.

Those basement books became my reading roots; books that formed my reading tastes, taught me the power of words, and inspired me to take on a literary career. There’s usually fewer than seven degrees of separation between those roots and whatever I’m reading now.

reading rootsHEAVEN HELP US! by Herbert Tarr

A dog-eared paperback came to live in the basement donated by a friend. It was an unlikely book for a young Catholic girl to pick up, with a cover showing a man in a yarmulke. But the 1968 story of young Rabbi Gideon Levi and his Long Island temple congregation was and still is one of the most cleverly written books ever.  Tarr, a rabbi and former Air Force chaplain who wrote several other books, made the Jewish religious experience universal. He had an engaging, lighthearted style that I’ve never quite seen replicated. Sophie Kinsella comes closest albeit from a female perspective.

HEAVEN HELP US on amazon.com

reading roots

EXODUS by Leon Uris

Rabbi Levi’s congregation exclaimed so much over it I wondered if it was a real book and lo and behold it was. EXODUS was published in 1958 to major acclaim and turned into a movie starring Paul Newman and Sal Mineo (neither of whom looked anything like the character they played). It is the sweeping, engrossing story of Israel’s birth, moving from the early Zionist movement to Polish Jews escaping the Nazis, Ethiopian Jews emigrating after the war and the start of hostilities with neighboring Arab states. Although a novel, it was my first primer on Middle Eastern politics and shaped my political views for years.

All of Uris’s epic historical novels (MILA 18, QB VII, TRINITY) have the same breadth, strength, and excellent writing but EXODUS stands apart. It made me wonder if I could ever write anything so big. Still wondering.

EXODUS on amazon.com
reading rootsTHE LITTLE WORLD OF DON CAMILLO by Giovanni Guareschi

Don Camillo is a strapping fictional parish priest in Italy’s Po Valley, ministering to a small village congregation. His arch frenemy is Peppone, the Communist mayor of the town, who–as is to be expected of a Communist–says he does not believe in God. It is sometime after WWII and the two men fought together as partisans in the hills against the Nazis. The book is a series of softly humorous and philosophical stories in which Don Camillo and Peppone argue over conflicting beliefs (Peppone wants to baptize his son Lenin–oh the irony!), the welfare of the little village (both try to rig a soccer tournament between the church team and the People’s palace team), and the true meaning of friendship. Oh, and Christ on the cross in Don Camillo’s church talks to him/is his conscience.

I routinely re-read this book when feeling unsettled and always find both humor and solace.  Guareschi, a journalist from Milan who also illustrated the book, wrote other Don Camillo stories and several unrelated novels and stories which can often be found on amazon or abebooks. I was recently thrilled to find an excellent blog on the Don Camillo series. Enjoy!

THE LITTLE WORLD OF DON CAMILLO on amazon.com
reading rootsTHE CODE OF THE WOOSTERS by P.G.Wodehouse

My sister had a copy of THE MOUSE THAT ROARED by Leonard Wibberly. It was clever and inventive and I hoped there were others about the silly Duchy of Grand Fenwick. So I’m a high school freshman at the public library searching the Ws in Fiction and where WIB should be there was WOD. Wodehouse to be precise, which was almost as silly a name as Wibberly, and I was hooked.

Wodehouse’s books are all suspended in 1920’s England, where people pass time at big country houses getting wires crossed and trying to extricate themselves from nonsense. His language is a swift patter of hysterical dialogue, British slang, and light comedy. THE CODE OF THE WOOSTERS is my favorite, with a cast of characters who appear in many Wodehouse books. It is one of the Jeeves books narrated by Bertie Wooster, whose valet (“my man, don’t you know”) Jeeves is constantly extricating Bertie and friends from impossible romances and other ill-judged escapades. I have multiple copies of this book, including the one in the 20-lb set of all the Jeeves and Bertie books I bought at the oracle of British bookstores, Hatcherd’s in Piccadilly, and hauled home back in the days before there was a 50-lb weight limit on suitcases.

THE CODE OF THE WOOSTERS on amazon.com

reading rootsTHE KITCHEN MADONNA by Rumer Godden

This book is firmly rooted. It was in at least two of the Reader’s Digest Condensed Editions. Wikipedia lists it as a children’s story but it is a universal story of a dysfunctional family in London that changes for the better when the young son decides to make a homemade icon for their Ukrainian housekeeper, Marta. His effort takes him across London on a quest to do something for someone else for the first time in his life. Rumer Godden, who was raised in British India and wrote numerous books for adults and children, nine of which became movies, created one of her most uplifting stories. The book is sweet and thought-provoking and makes a unique gift.

THE KITCHEN MADONNA on amazon.com

reading rootsGONE WITH THE WIND by Margaret Mitchell

I can still see this book in my mind’s eye: the hardback cover is deep blue and the bottoms of the pages are wrinkled from having been inadvertently dunked in the water while I was reading and taking a bath at the same time. It topped my 5th grade reading list, back in the days when I knew what a “beau” was but had never heard the word pronounced.

The book got progressively more dog-eared through middle school as I read and re-read it. It wasn’t the Civil War theme or the love triangle between Ashley, Scarlett and Melanie. No, it was the way that Mitchell put me right into Scarlet’s head.

Do you remember the scene when Rhett deserts Scarlett as they flee Atlanta before Sherman’s army? There was a line something like this: “Her mind jumped around, trying to remember what Gerald had called balky mules and Mr. Lincoln.” But nothing came and Scarlett ends up just calling Rhett a cad. My quote may be imperfect, but it was the first novel I read that showed how to bring the reader deep inside a character’s point of view.

Gone With the Wind on amazon.com

The novel was better than the movie, too.

Fiddle dee dee, Carmen, how you do run on.

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reading roots

CARMEN AMATO

Mystery and thriller author. Retired Central Intelligence Agency intel officer. Dog mom to Hazel and Dutch. Recovering Italian handbag addict.

 

reading roots

Why Writing is Hardly a Solitary Occupation

Why Writing is Hardly a Solitary Occupation

Alot of famous quotes moan about why writing is such a solitary occupation. About writers bleeding at the typewriter, with only a bottle of gin as company.

Thanks to social media, however, this is hardly the picture of the modern writer.

Most writers use Twitter, Facebook, and even Goodreads to connect with other writers as well as readers.  I’ve “met” an amazing variety of folks this way and although they may be far away, their energy and enthusiasm has been contagious.

You Meet The Nicest People Online

Here are three virtual friends I’d like to introduce you to:

Khaled Talib is a Singapore-based writer who just published SMOKESCREEN, an espionage thriller. Here’s his Amazon author page. His previous book A LITTLE BOOK OF MUSES is a great morale-boosting little volume of writing encouragement and his PR approach to SMOKESCREEN’s launch has given me many ideas for launching the next Emilia Cruz novel, DIABLO NIGHTS.

Sharon Lee Johnson is an amazingly prolific US writer with several series, including the Zombie Zoo and Me vs Zombies series. She also has written several inspirational books. Here’s her Amazon author page. Sharon is partnering with me on the 2014 fundraiser for water.org. She’s got an amazing work ethic and will really make a difference.

Norm Hamilton is a Canadian writer whose new book FROM THINE OWN WELL, is a real environmental call to action. Norm has an amazing eye for detail. He found elusive typos in my books, which helped to improve the experience for my readers.  Here is his Amazon author page.

Give and Ye Shall Receive

In 2014 I will give back for the growing success I’ve had as an author. Having lived in places where we could not take clean water for granted, I wanted to make water a priority.

In 2014 I’ll be donating a dollar  to water.org for each of my books sold for the Kindle on Amazon. Other authors, such as Sharon, have pledged to a portion of their sales as well and I’ll be introducing them when their fundraising efforts take place. Watch this space throughout the year to see how much we can raise.

For every $25 that we raise, Water.org can give someone access to safe water for life. Co-founded by Matt Damon and Gary White, Water.org has been helping people develop sustainable solutions for more than 20 years. Together, we can change lives with safe water.

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CARMEN AMATO

Mystery and thriller author. Retired Central Intelligence Agency intel officer. Dog mom to Hazel and Dutch. Recovering Italian handbag addict.

 

why writing

The Lovely Glow of Too Many Irons in the Fire

The Lovely Glow of Too Many Irons in the Fire

I’ve got too many irons in the fire.

I’d like to say that this is a rare event. But juggling multiple projects can be fun, which must be why I tend to overbook my creative energies.

Here’s what is going on:

Bookstore of the Future project

Yesterday I reached out to 55 book bloggers for the second Bookstore of the Future project, asking them the key questions: What will the bookstore of the future look like? How can bookstores innovate in order to stay relevant and solvent in the era of ebooks and ecommerce?

I had an immediate response from author and blogger extraordinaire C. M. Mayo who posted a link to my blog on her Madam Mayo blog. See it here.

Author responses keep trickling in but the crown goes to thriller author Dale Brown (Whaaaat? You haven’t read FLIGHT OF THE OLD DOG? Read it. Immediately.) who was the first to respond, in part, with this comment: “Carmen: Interesting project! I haven’t been in a bookstore to buy a book since I discovered Amazon Books in 1996.” Look for his full response when “What is the Future of the Bookstore? 25 Influential Authors Weigh In” is published in early January.

Finally, I had an interesting exchange with author Jeff Faria who is teaming with Symposia Bookstore in Hoboken, New Jersey on a “bookstore/playspace.” Look for more on this in the third article featuring bookstore owner views.

NaNoWriMo and DIABLO NIGHTS

I didn’t complete a 50k word manuscript in November, thanks to the flu. What I did end up with, however, is the guts of the next Emilia Cruz mystery novel. Familiar elements are there: dirty cops, drug cartels, Emilia’s uncertainty about her relationship with a gringo and grudging partnership with Silvio. But DIABLO NIGHTS also digs into Mexico’s religious history as well as Acapulco’s tourism industry. There’s also the anything-for-a-peso mindset I encountered from time to time in Mexico. This could be the most provocative Emilia Cruz novel yet.

I exchanged ideas for the book’s religious research with author and university professor Andrew Chesnut, whose articles on The Huffington Post are always absorbing. I recommend subscribing to his Huffpost feed.

“The Angler”

This Emilia Cruz short story will draw elements from the real events surrounding the murder of Fr. Richard Junius, who was my pastor at St. Patrick’s Catholic Church in Mexico City, which I wrote about last year.

To my knowledge, Fr. Richard’s  murderer has never been found. Expect a different ending in “The Prayer;” justice via fiction.

Water.org

In 2014 I plan to partner with water.org to raise funds for basic sanitation. I will donate a dollar for every Kindle book I sell on Amazon in 2014. To maximize the effort, I’m considering asking fellow authors to donate a portion of their earnings for a selected month. For their month, I’ll promote them on my blog and on the fundraiser page. They’d get added exposure as well as make a meaningful contribution for a great cause. What do you think?

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irons in the fire

CARMEN AMATO

Mystery and thriller author. Retired Central Intelligence Agency intel officer. Dog mom to Hazel and Dutch. Recovering Italian handbag addict.

 

irons in the fire

On Learning from Mistakes

On Learning from Mistakes

I made two mistakes recently.

The first was an expensive one.

Mistake 1

Flush from my record-breaking (my records, anyway) month in September, spurred by the publication of short story The Beast in the Huffington Post’s Fiction 50 showcase, I went for some top-of-the-line advertising. The Millions is a wonderfully rich website for book lovers, with reviews, essays, and best-of lists, and the same vibe as The New Yorker magazine. The site is targeted at my demographic: educated people who like travel, current events, and engrossing reads.

Cliff DiverI spent big $$ for a 1 week ad promoting CLIFF DIVER, using a quote from Kirkus Review as the main hook: “Consistently exciting . . . a clever Mexican detective tale.” Expectations were high that this ad was going to catapult sales and reach a new audience.

Huh. Only one copy of CLIFF DIVER sold that week. (Insert sound of flushing water.)

The second mistake was less expensive, but more foolish.

Mistake 2

I’ve never recorded the milestones attained during this writing journey I’m on.

There have been a few cheerleader notes on my trusty, albeit ancient, Blackberry: “got website up and running,” and “figured out what a plugin is.” But nowhere have I written down the date that I sold more than 30 books in a month, or the date when both CLIFF DIVER and HAT DANCE made it to the top 10 on the International Mystery Top Rated list or the date an Amazon Top 50 reviewer gave HAT DANCE 5 stars.

In the wake of Mistake #1, I realized that without a log, it is hard to remember the positive moments and easier to focus on the negative like the toilet getting plugged with the $$ I’ve just flushed away.

Why didn’t the ad on The Millions boost the book?

I was so exciting about advertising on The Millions. The site seemed to be a perfect fit. Appearing on the site felt like my books were in the Big Leagues. But maybe I was out of my league . . .

  • The Millions (and The New Yorker) projects an image of being at the top of the literary food chain. A self-published author who has been at this for only 18 months hasn’t the name recognition these sites bank on.
  • The books on the site are mostly by traditionally published authors. Maybe that is important to the site’s fans.
  • Almost all the books showcased on the site are literary fiction. I was promoting a mystery. Might be the same demographic but they go to The Millions for a specific genre.

let's make better mistakes tomorrow on blackboardSulk vs Plan

Not only did I waste a big chunk of my tiny advertising budget, but I didn’t have the foresight to track the slow and steady milestones that I have achieved, thus depriving myself of a great source of solace and common sense. I could sulk about the situation–which has nothing to do with my ability to write a darn good mystery–or do something. So, like Bridget Jones who would not be defeated by a bad man and an American stick insect, I’m opting for a plan:

  • Start systematically recording the small successes and milestones achieved. Remind myself of the results of perseverance and the joy of slow, steady progress.
  • Identify the gap between newbie author and authors who are known to readers of The Millions. Where are these authors in their career trajectory and what are their best practices?

Mistakes are still ahead; after all we are all learning as we go, right? But they’ll be better than the mistakes this week. They have to be. I’m out of cash!

Help me learn from your experience. Have you ever made an action plan after a mistake? How did it turn out?

 Cartels. Corruption. Love. Survival . . .

maybe

Get it today on Amazon.com

mistakes

 

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I think of you

I think of you

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Huffington Post Premieres Emilia Cruz Short Story

Acapulco by night

This week the very first Emilia Cruz story, “The Beast,” was published by Huffington Post, in the website’s Huff/Post 50 showcase of female fiction writers. Acapulco beat cop Emilia Cruz wants to become a detective. But will they break her before she gets to the squadroom? “The Beast” is all about how the series started and takes place about 2 years before the action in CLIFF DIVER and HAT DANCE.

I’m pinching myself as I type today because I’m an avid reader of HuffPost, and being published on the website has been on my bucket list for awhile. I was surfing through the website at a coffee shop when I read about the writer showcase and sent the story off, expecting deafening silence. But instead I got a charming email from  Alexander Eichler at the Huffington Post saying: “We’d be pleased to publish “The Beast” on HuffPost — all of us here who read it were quite enamored of it.”

“The Beast” is part of a collection of Emilia Cruz stories that will be published later this year in an expanded edition of MADE IN ACAPULCO. Its debut on Huffington Post is a milestone for me.

So without further ado, here is “The Beast” on Huffington Post. The blood-red picture of Acapulco looks perfect with it!

If you like the story, please share with Facebook friends and leave a comment for Huffpost readers.

Many thanks to Alex E. and the team there for the opportunity.

NEW!

Acapulco is hotter than ever in the second Emilia Cruz mystery

Get it today on amazon!

10 Twitter Voices on Mexico and the Mystery Series that is Listening

Twitter Voices on Mexico

Twitter logoInspiration for the Emilia Cruz mystery series’ sharp edges and complicated plot lines comes from two sources: my own experiences living in Mexico and Central America, and the authentic and multi-faceted stories about Mexico told by some of today’s most articulate voices trending on Twitter.

Here are 10 “Tweeps” I routinely read to get up-to-date information about Mexico. They’re a mix of cultural observers, expatriates, journalists, and writers. Their viewpoints don’t always coincide and they may have differing agendas when it comes to Mexico, but their Twitter trending content is always interesting and thought-provoking.

@AllAboutPuebla  Rebecca Smith Hurd writes the All About Puebla blog; a happy compendium of life, art, culture, and events in and around Mexico’s 4th largest city. Incidentally, Puebla is the hometown of protagonist Eduardo Cortez Castillo in THE HIDDEN LIGHT OF MEXICO CITY.

@MexicoInstitute  The Mexico Institute is part of the Woodrow Wilson International Center for Scholars, a nonpartisan, non-advocacy forum engaged in the study of national and world affairs. Tweets link back to articles on the Institute’s website which deal relations between the US and Mexico and events and issues which impact them.

 @ajcorchado  Alfredo Corchado is the Mexico Bureau Chief for The Dallas Morning News and a Harvard Nieman Fellow. His memoir, MIDNIGHT IN MEXICO, was released earlier this year.

@AndrewChesnut1  Andrew Chesnut is a professor of Catholic Studies at Virginia Commonwealth University and writes extensively on the Santa Muerte phenomenon for Huffington Post and other current events outlets. He explores Santa Muerte and more on the site skeletonsaint.com.

@shannonkoneil  Shannon K. O’Neil is a Senior Fellow at the Council on Foreign Relations and the author of TWO NATIONS INDIVISIBLE about the US and Mexico. Her tweets and retweets focus on strategic views of what is happening in Mexico and with the bilateral relationship.

@el_reportero  David Agren is a Canadian freelance journalist in Mexico City whose reporting has appeared in USA TODAY, Catholic News Service and Maclean’s magazine. He is on top of numerous issues and is a prolific tweeter, managing to get loads of information—such as voting results–and local flavor into 140 characters.

@foxnewslatino  Fox takes a neutral tone when reporting on many issues about and affecting Mexico. Tweets all link back to the Fox News Latino news site and besides regional reporting include broad-based current events i.e. flavor of the day.

@MexicoRetold  Susannah Rigg is a British freelance writer based in picturesque Oaxaca who uses the tagline “There’s more to Mexico than Meets the Media.” She is very active on Twitter discussing cultural issues and promotes the hashtag #fortheloveofmexico.

@mexicoguide  Suzanne Barbezat is a travel writer living in Oaxaca who is the host of the Mexico Travel sub-site for the About.com news channel. She is a #MexChat co-host, which brings those interested in Mexico together for moderated twitter discussions.

@TheMexLondoner  The Mexican Londoner offers a totally unique take on Mexico—one that is seen from a distance and flavored by life in the UK. The Twitter stream is a mix of interesting news retweets, events in London with a Mexican flavor, and a bilingual newsletter for Mexicans living in London.

The Girl on the Cutting Room Floor

The Girl on the Cutting Room Floor

Book editing is a ruthless business. How much of a book gets rewritten when an author comes back to an old manuscript?

In the book editing case of HAT DANCE, the second Emilia Cruz novel coming 30 July, it looks like about 50% of what I wrote 18 months ago will hit the cutting room floor. Included in the discard party is female arson investigator Betty Estefan.

Bye bye, Betty

Betty uses her sexuality to get ahead; a direct contrast to Emilia whose approach is to fight her way through. But with a fully-loaded book plot (Fire! Hookers! Missing girl!) Betty’s antics  quickly became excess baggage.

But even mean girls need their 15 minutes of fame so I’m sharing Betty before I hit “delete” on her brief and troubled virtual life.

The set-up

  • An upscale Acapulco restaurant was set on fire, just as Emilia and her date were leaving. Acapulco’s famous mayor was in the restaurant at the time.
  • Chief Salazar is Acapulco’s chief of police
  • Rufino is the new chief of detectives
  • Obregon is head of the police union for the state of Guerrero
  • Silvio is the senior detective who’d actively opposed Emilia coming into the squadroom as the first and only female detective in Acapulco but now has to work closely with her

What got cut

Chief Salazar looked grim. His bald dome shone faintly yellow under the squadroom’s weak florescent lights. “Everything’s by the book this time, with our visiting arson expert showing the way.”  

The woman next to him stepped forward.  “Betty Estefan will be with us for a few weeks,” Salazar went on. “She’ll be leading the investigation and teaching arson investigation techniques to the rest of you. Betty’s from Mexico City, an instructor from the national bomberos training school.”

“Thank you, Chief Salazar,” Betty said without hesitation. “I’m looking forward to the challenge of this investigation and getting to know the detective team here in Acapulco.”

She was a curvaceous woman whose figure was contained by a plain white blouse and well-fitting but not tight jeans. Betty wore pale brown work boots, which Emilia figured were useful for walking through ashy fire scenes but which would be hellishly hot on Acapulco’s beaches and superheated tarmac. Blonde hair—dyed but it suited her well—was pulled back and wound into a bun at the nape of her neck. She was older than Emilia by a few years at least, probably in her mid-thirties. The look in her eyes as she scanned the detectives in the squadroom said she’d seen their types before.

“Betty will need some local expertise to assist in the investigation,” Obregon said. The union boss let his eyes sweep the squadroom and Emilia resisted the urge to hide under her desk. Obregon almost certainly had been involved in the drug smuggling mess that had gotten Rico killed. She had no proof, just her gut instinct. And Obregon knew it. Their last encounter some months ago had staked out the distance between them.

“Cruz was at the scene,” Chief Salazar stepped in front of Obregon and the unspoken power battle between the two men flared. Emilia could almost smell a gust of anger. Chief Salazar went on. “Silvio, you and Cruz help Betty settle in and take her over to El Tigre today.”

“Maybe that should be Lieutenant Rufino’s call,” Obregon said smoothly. Emilia had only ever seen him wear black and today was no exception; black leather coat, black jeans, a v-necked shirt that forced the eye up to his face and those high indio cheekbones.

Chief Salazar’s face tightened. He gestured at Rufino. “Get her situated. Make sure the front desk sergeant knows her phone number.”

Gomez, never one to feel the tension in the room, raised a hand. “Does Betty replace the two detectives we’re missing?” he drawled around the gum in his mouth.

Salazar pressed his lips together in annoyance. “No,” he said. “She’s only here temporarily.”

“But those positions are going to be filled, right?” Castro asked.

“Lieutenant Rufino–,” Salazar started.

“Chief Salazar’s recommendations will be reviewed by the union as soon as they’re available,” said Obregon.

The meeting ended on that knife-edge, the pressure they’d started with now cranked to fever pitch by the tension between Salazar and Obregon. Both left, Obregon ahead of Salazar who feigned a conversation with Rufino and Betty in order to loiter while the detectives all feigned busywork at their computers.

When Salazar left, Rufino and Betty went into the lieutenant’s office. As soon as the door closed behind them Gomez and Castro bolted up and started acting like idiots, talking about how Betty looked like she knew her way around, how they were going to make it with her.

“Shut the fuck up,” Silvio growled.

“Cruz pulling on your leash, Silvio?” Castro jeered.

Silvio half rose out of his chair and Castro and Gomez crashed their way out of the squadroom. They were going to mangle the El Pharaoh casino money laundering case, Emilia knew, and there was nothing she could do about it.

Ten minutes later, Betty came out of Lt.  Rufino’s office. She touched her hair, smoothing it back toward the blonde bun, then fingered the buttons running down the front of her blouse.

“I’m ready whenever you are,” she said to Silvio.

“Great,” Emilia said. She got her shoulder bag out of her desk drawer and stood up.

Betty ignored her. The woman’s attention was fixed on Silvio, a fuck you smile curving her lips. The top of the demure white blouse gaped wider than when Chief Salazar was in the room and Emilia saw the edge of a pink lace camisole.

Silvio stared back, his mouth tight.

Emilia permitted herself a tiny grin. This was going to be good.

If you liked “The Girl on the Cutting Room Floor” about book editing, please sign up to join me on this mystery writing journey! We’ll pick apart motive, catch a few killers, have a margarita or two. And if you are worried about privacy, rest assured your email will never be shared.

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CARMEN AMATO

Mystery and thriller author. Retired Central Intelligence Agency intel officer. Dog mom to Hazel and Dutch. Recovering Italian handbag addict.

 

cutting room

The Best and Other Interview Questions to Ask a Mystery Writer

There are certain interview questions to ask someone who has just published a novel in a mystery series. And other questions that are sort of odd. Here are the ones I’ve been asked lately.

1. Why did you write it?

Cover of Cliff DiverI wrote Cliff Diver: An Emilia Cruz Novel because current events in Mexico don’t make it to the top news stories for big media outlets in the US, despite the fact that over 60,000 people have died there in the past 5 years amid the ongoing violence. US news stories are more concerned with domestic politics, the Middle East, and Lindsay Lohan. And, of course, the Kardashians. If news stories on Mexico do make it to prime time, they are viewed in the context of the US national debate on immigration. The real story—the toll that the drug wars is taking on the people and culture of Mexico—stops at the border.

Oh wait—there was the story about a Mexican snack food company’s trucks being targeted by cartels. That made it to the US news. Danger to snack food manufacturing is important.

Interview questionsBut seriously. Martin Cruz Smith’s Arkady Renko books gave US readers an authentic glimpse inside Russia, creating interest and an awareness that hadn’t been there before. I’m hoping that a contemporary mystery series can do the same for Mexico. The reviews for my 2012 political thriller The Hidden Light of Mexico City–a story from the heart that took on both Mexico’s rigid social system and the corruption that flows from huge drug profits–made me sure that contemporary fiction can ignite popular interest in what is happening in Mexico better than the news.

 

 

2. Who should read it?

When I first started writing, I thought my target readers were the women I’d met in Mexico City; smart, educated women who had jumped into the expatriate lifestyle with both feet, ready to learn new things and assessing and adjusting as they did so. But I’ve been happily surprised by the number of men who read The Hidden Light of Mexico City and liked it.

That’s a long way to say that my readers are those who like

  1. Clever, intricate plots
  2. Real characters who experience change and cope with it
  3. Creativity that stems from current events, history, real places
  4. Books that make other cultures accessible to the reader

3. What is it about?

Cliff Diver launches the Emilia Cruz mystery series, introducing an intriguing cast of characters, and putting the reader squarely into the complicated and conflicted world of an honest cop in Mexico. Emilia Cruz is Acapulco’s first and only female police detective so not only do the books have the usual elements of a mystery series—crime, investigations, evidence, clues, etc—but she also has to navigate her way through Mexico’s culture of machismo.

In Cliff Diver Emilia is forced to lead the murder investigation into the death of her shady lieutenant by a union boss with questionable motives. She faces resentment from the other detectives as well as a blood-spattered crime scene, no witnesses, and the shadow of counterfeit ransom money. Missing police files, the lieutenant’s involvement with a past kidnapping, and a possible link to a gang working for a drug cartel further combine to make this a messy case with too many loose ends.

Expecting to become a target herself because of her own brush with the lieutenant’s counterfeit scheme, Emilia must move quickly to find the killer. But as she pieces together the lieutenant’s last hours, she becomes a pawn in an ugly game of corruption, money, and power being played by Acapulco’s mayor (love this character, think a haughty Salma Hayek at her scornful best) and the union boss. Luxury hotel manager Kurt Rucker has some advice for Emilia but the heat between them quickly becomes a complicating factor. He’ll be back in other Emilia Cruz books.

4. I love mystery series. Tell me more.

Cartels and corruption aside, lots of the tension in the Emilia Cruz series stems from relationships between people. Acapulco’s ambitious mayor and the police union boss who complicate the investigation in Cliff Diver will make return appearances. Emilia’s mother, and the strays she takes in, will keep Emilia’s personal life off balance, as will American hotel manager Kurt Rucker. To keep things fresh, Emilia will have a different lieutenant in each novel.

5. I love Mexican food. What do people eat in the Emilia Cruz books?

Er, well. Acapulco is on Mexico’s Pacific coast so seafood is popular. In one scene in Cliff Diver, Emilia and her partner Rico eat at a seafood lunch bar:

Both had plates of rice, salsa, and pescado empapelado; marinated fish wrapped in foil and grilled by the sweaty proprietor. Emilia pulled apart the foil packet, taking care to keep her fingertips away from the billow of lemony steam. The whole fish lay nestled inside the packet, fragrant with citrus and tomato, the fish’s mouth open wide as if in surprise.

In another chapter Emilia eats ceviche—pickled fish–and avocado from a glass jar at a street stand. Her mother makes tamales and Emilia cooks arroz rojo.

6. What are your favorite lines from the book?

 A minute later Rucker was standing by her desk, sweat beaded on his forehead. The starched collar of his shirt was damp.

   “There’s a head,” he said breathlessly. “Someone’s head in a bucket on the hood of my car.”

***

     Silvio fired his gun into the ceiling and everyone went silent. A large overhead fluorescent light made a sizzling noise and went out.

     “No doubt Lieutenant Cruz has something to say to us,” Silvio said mockingly.

***

     “You’re a good cop, Cruz,” Salazar said. “The kind that die young.”

     He stood and turned his back on her to look at something on the other side of his desk.

     A paper shredder ground out a symphony as she left.

7. Do you really know anything about Mexico or Acapulco?

  • Mexico’s new president Enrique Peña Nieto was inaugurated on 1 December 2012 amid charges of  major voting day irregularities, claims of vote buying, and media bias. You can find him on Twitter @EPN.
  • At La Quebrada, Acapulco’s famous cliff divers plunge 136 feet (41.5 meters) into the Pacific and land in water only 9.5 feet (2.9 meters) deep.
  • Mexican government documents estimate that 25,000 people are missing as a result of drug war violence over the past few years.
  • I used to live in Mexico City and blog about my experiences now and then.

8. Tell us some fun factoids about writing a mystery series

  • I read 4 newspapers every day, plus regularly surf 3-5 websites that give me information about Mexico.
  • I use painter’s tape to post notes above my desk. Looks messy. But nothing falls off.
  • Sometimes I take a break and write about my dog.
  • All mystery series writers drink copious amounts of coffee. I am no exception.

9.  Where can I read an excerpt of Cliff Diver?

Here you go. Enjoy!

Cover of Cliff DiverBuy CLIFF DIVER on amazon.com today! 

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CARMEN AMATO

Mystery and thriller author. Retired Central Intelligence Agency intel officer. Dog mom to Hazel and Dutch. Recovering Italian handbag addict.

 

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