She came back a moment later with a box decorated in the traditional rayada carved lacquer technique. It was the size of a loaf of bread and the bottom was fitted with a small drawer with a tiny gold knob.
“This is a most special and precious item,” Tifani said as she moved the other items aside and spread a velvet cloth over the glass-topped counter. Lupita placed the box reverently on the fabric. “A relic of the most holy martyr Padre Pro.”
Emilia’s breath caught in her throat. “Really? Padre Pro?”
“Who’s that?” Kurt asked.
“Padre Pro,” Emilia said, as her heart thumped. She was glad she was already sitting down. The rayada box was lacquered in blue and black with an etched design of crosses rather than the usual animal motifs. “He was a priest. A martyr of the Cristero War.” (DIABLO NIGHTS)
As I start work on the 4th Emilia Cruz mystery, KING PESO, I’ve been collecting (at least mentally) the unique Mexican influences that will underpin the story. Visual inspiration is important to me, as readers of this blog might have guessed by now, and I’ve done the same for all of the books in the Emilia Cruz mystery series.
Related post: Acapulco: Locating the Emilia Cruz Series
The quote above from the first chapter of DIABLO NIGHTS, the 3rd book in the mystery series, narrowed the country’s turbulent religious history down to a riveting moment in a Catholic shop. But my favorite detail was about the box containing a purported relic from Padre Pro, the real-life Catholic martyr.
In DIABLO NIGHTS, the relic is housed in a rayada box. Rayada is the Mexican technique of carving lacquer. Markets in Mexico are never without trays, boxes, and even gourds decorated with this painstaking technique. When we lived in Mexico City, I was picky, always looking for the right shade of red or bypassing pieces that weren’t as finely made.
Related post: How to Find Love at Mexico City’s Markets
I now wish I’d bought more besides the two below. The red box, with its exceptionally detailed lacquer carving, has long contained my desk supplies and directly inspired Padre Pro’s relic box. The small tray functions as a coaster for my coffee mug.
I never knew just how much effort went into these little artistic gems, until I read ta description from worldexperience.com. Possibly as much time as it took me to write DIABLO NIGHTS, if you don’t count the time I spent rearranging sticky notes on the master outline, pretending to be both characters during Emilia-Silvio argument scenes, and drinking coffee.
So what happens in DIABLO NIGHTS after the infamous rayada box is opened?
Tifani slid the drawer closed and opened the lid of the box. She took out two pieces of styrofoam and set them aside. She reached back inside the box and drew out a small rectangular display case. Lupita whisked aside the now-empty enamel box and Tifani set the glass case on the velvet pad and turned it so that the front faced Emilia and Kurt.
The sides and top of the display case were made of clear glass. The wooden base was stained a dark mahogany and bore a small brass plaque with an inscription that read A Relic of the Most Holy Martyr Blessed Padre Miguel Pro Juarez, S.J. 1891-1927.
The back was decorated with a color picture of a priest in a bloody cassock lying with arms outstretched at the feet of an officer holding a sword and wearing a garish Napoleon-style uniform.
But it was the object inside the display case that took Emilia’s breath away. A long-lost relic of Padre Pro. Her life had come full circle.
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I'm author Carmen Amato. I write mystery and suspense, including the Detective Emilia Cruz police series set in Acapulco. Expect risk, power, corruption. And relationships with heat. More